Preacher man preachin’

Everybody talkin’. Preacher man preachin’.
Let’s talk ekphrasis, a written response to a work of art, and my take on Romare Bearden’s “Carolina Shout.”

Words by Michael Banks in response to artist Romare Bearden’s collage titled “Carolina Shout.”

Everybody talkin’. Preacher man preachin’.

Everybody's hands out. Ain’t nobody givin'.

Falling in the water. Red moon a risin’.

Bringing back a dead man. Ain’t that their mission?

Gotta get right. Gotta get salvation.

Ain’t nobody know my sticky situation.

Feet in the mud. Brotherhood of Nation.

Everybody hands up. Meet my creation.

Tuesday mornings, I try to set aside an hour to jumpstart that creative part of my brain. I find it getting harder and harder to do so as the years creep by. But one thing I’ve discovered that helps immensely is Pen to Paper Live.

These weekly one-hour sessions conducted by the founders and staff of the Charlotte Lit organization are held over Zoom. Often more than 20 creators gather and write after receiving a “prompt” by the instructor. Some of my published works have gotten their start at Pen to Paper and I’m always inspired and comforted by the talented writers who gather there weekly.

The words I’ve written above come from the Tuesday, Oct. 4, 2022, session led by Kathie Collins, one of the founders of Charlotte Lit. The prompt was ekphrasis, which Kathie described as “a written response to a work of art.” I’ve tried a bit of ekphrastic writing before, mainly with Van Gogh’s “Wheatfield of Crows,” and it surprises me the words that come to me from another’s work of art.

On Tuesday, as an example, Kathie pointed to writer Sharan Strange’s poem titled “Train Whistle” that’s taken from artist Romare Bearden’s collage “Mecklenburg County, Daybreak Express.”

Born in Charlotte, NC, in 1911, Romare Bearden, by the time of his death in 1988, had achieved a stature known by few artists during their lifetimes. He is considered America’s greatest collagist and his works are in the permanent collections of most every major American museum.

This entire month, Charlotte Lit is celebrating Bearden and his legacy. Through a series of events titled “Artists Reckoning With Home: Celebrating Romare Bearden,” the arts organization hopes these events provide opportunities to learn about Charlotte’s past and re-imagine its future.

One of the featured events will be an ekphrastic workshop titled “Writing With Bearden.” The workshop, led by Charlotte Lit co-founders Kathie Collins and Paul Reali, will be held Sunday, Oct. 16 from 2 to 3 p.m. at the Mint Museum Uptown. The event is free, but registration is required.

Why, how and when do I write? Now you know

Best writing advice? Well, there is a Hemingway quote that hangs on my wall: “Write drunk. Edit sober.”

I was recently asked to be a featured member of the Charlotte Writers’ Club. The feature, dubbed Meet A Member, runs in each monthly newsletter and is a great way to learn more about the fellow club members.

I’ve been a member of the Charlotte Writers’ Club for nearly two years now and have found it to be a great resource as I venture into the world of fiction writing and freelance work.

One of my favorite benefits of being a club member are the monthly programs by published authors taking on such topics as “Maintaining Suspense in Your Writing” and “Getting to Know Your Character.” The club holds several writing contests throughout the year and rewards the top submissions.

There are also opportunities to present your work during Open Mic Nights, as well as a Virtual Writing Salon. There is the supportive community of fellow writers tackling many of the same issues, as well as chances to share feedback as part of several critique groups.

All in all, I’ve found a very worthwhile organization and one that I’m happy to be a member of.

What follows are my responses to the questions asked each month of the featured club member.


Meet a Member for July 2021

Michael Banks

Bio:  A product of the western Kentucky coal and corn fields, I’ve spent most of my life documenting achievements and failings while working as a journalist at newspapers in Kentucky, Mississippi and North Carolina. I keep rowdy fans in check at Panthers games, write random features for magazines and enjoy the occasional sip of bourbon beneath my redbuds. All while pondering the first draft of my first novel.

When and Where Do I Write? I’ve found the Open Studio at Charlotte Lit to be a perfect place to get away and get my words down — morning, noon and night.

Favorite writing tool? I wish I could say I bang out my scenes via Hemingway’s Royal Quiet Deluxe typewriter. Instead, it’s the soft pitter-patter of my MacBook Pro that brings comfort.

A favorite writing resource? Notes taken from Charlotte Lit classes and CWC presentations are a great help, but I find that when I’m stuck I go in search of some of my favorite authors. Ron Rash and Jennifer Egan have helped get me back on track lately.

Best Writing advice you’ve received and actually taken? On my office wall hangs a supposed Hemingway quote: “Write drunk. Edit sober.” Claire Fullerton says, “For a writer, there is no there to get to, there is only the fulfilling, soul-driven act.” And that goes hand-in-hand with what I heard fellow CWC member Landis Wade say once: “Find joy in the process.” All good advice, I’d say.

One thing I would like help with? Now that the first draft is done, what’s next? How do we embrace revision? How do we query? The benefits of self-publishing? I’ve got quite the laundry list.


Membership in the Charlotte Writers Club entitles one to participate in workshops, critique groups, contests, and guest speaker programs. The cost is a modest $35 per year for individuals and $20 for students.

The organization welcomes all writers in all genres and forms to join our Charlotte-area literary community. A membership in the Charlotte Writers’ Club helps support writers, readers, and literacy at a critical time in our nation’s and our city’s history.

To join or renew a membership, click this Membership Link and follow the instructions.

Getting creative with Pen to Paper: Jelly and whiskey in the Mississippi Delta

Stuck in your creative work? Why not try Charlotte Lit’s Pen to Paper Live!
I ended up with “Jelly and Whiskey in the Mississippi Delta.”

Tuesday morning, Dec. 8, I took part in a Pen to Paper Live! creative program offered by the Charlotte Center for Literary Arts, commonly known as Charlotte Lit.

The free weekly sessions offer a mini-lesson and and present a writing prompt. Though I have been a member of Charlotte Lit and its Author’s Lab for the past year, this was the first opportunity I had to participate in one of the writing-in-community sessions, which are usually held in person but were moved online with the pandemic and social distancing restrictions. This one was attended by 14 other writers.

I thoroughly enjoyed the hour-long meet-up and would highly recommend it for those creative sorts who are currently uninspired or stuck. Preregistration is required. For this non-coffee-drinking guy who can sleepwalk through the hours before noon, Pen to Paper Live! gave me a spark and led to me writing this blog and continuing work on my novel.

This week’s session was on Cento. Kathie Collins, executive director and one of the founders of Charlotte Lit, led Tuesday’s session and came up with the writing prompt from a recent article in the New York Times. You can read the article to learn more, but basically Cento is a sort of “collage poem” crafted from lines, words, phrases from other sources and then patching together those lines to create a poem.

It’s a way of allowing you to express some subconscious needs through someone else’s work, Collins said. “Consider it another tool for your toolbox,” she said.

I am far from a poet, as the following selection will absolutely prove, but I did find it a fun, creative exercise. For my assignment, I chose to pull from the writings of author Hank Burdine and his story collection “Dust in the Road: Recollections of a Delta Boy.” The story “The ‘Britchesless’ Bachelor” is one of my favorites, especially hearing Hank read it in person with his Delta drawl and his deep baritone acquired via healthy amounts of good whiskey.

Below is my first attempt at Cento. Let’s call it:

Jelly and Whiskey in the Delta

White-coated valets and 15 blue-haired little ladies

Gather for sundry debutante parties in Beulah in the Delta

Me, a member of the Bachelor’s Club, a pool for the Delta Debs

Made haste to Dossett Plantation in my black two-door Pontiac Grand Prix 

I arrived in a hand-me-down tuxedo with cummerbund

Yet, about to pass out because my britches were too tight

My date, Blanche Shackleford, fled to the slough unencumbered

As the Budweiser had filled her holding tank, quite a site.

Meanwhile, my unhitched pants fell to my knees

And I’d forgotten to put my car in park

Blanche emerged from the slough and the trees, 

And so, Blanche gave chase, shaking and boogying

So fierce, her left bosom shimmied out of her dress

And there it remained, quivering like jelly.

“Blanche, my Gawd” the little ladies shouted

Upon which, she tucked it right back into the top of her gown

And I, on a quest to drink good whiskey

found Mr. Dixon Dossett where we told tall tales in his gunroom until dawn.

Compiled from “The Britchesless Batchelor.” A story from “Dust in the Road: Recollections of a Delta Boy” by Mississippi author Hank Burdine.